The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style (3rd Ed)
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Create Your Own TV Series for the Internet (2nd Edition)
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$18.71
Editors don’t usually sit on movie sets, but Sam was always there through the entire shoot and his editing tales are spiced with juicy anecdotes about exotic locations, colorful producers, directors and stars such as Jack Nicholson, Paul Newman and Liz Taylor.
As told to Bobbie O’Steen (Sam’s wife and assistant editor), who works in New York as a successful writer and editor.
Bobbie O’Steen is a New York-based film writer and historian, dedicated to sharing the editor’s invisible art with students, professionals, and the movie-going public. Educated at Stanford University, she is an Emmy-nominated film editor and the author of two acclaimed books about editing.
O’Steen has hosted evenings honoring master editors involving screening and discussion at UCLA Film and Television Archive, Emerson College, NYU and 92Y Tribeca and is now is partnered with Manhattan Edit Workshop for an ongoing series called “Inside the Cutting Room.” She also moderates panels for American Cinema Editors’ EditFest and, in addition, provides commentary and interviews for Criterion Collection releases of such classic films as A Hard Day’s Night, Don’t Look Now, In Cold Blood, and The Graduate.
O’Steen has taught graduate film workshops at NYU’s Tisch School of the Arts and has recently created an ongoing course entitled Making the Cut, which is based on her interviews and examines the art and technique of master editors. She contributes to such publications as Editors Guild Magazine and Cinema Editor Magazine, the latter recently naming her “Film Editing’s Greatest Champion.”
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