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The Total FilmMaker

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This classic volume puts you front row center for the legendary USC Film School lectures.

This new 50th anniversary edition of the classic 1971 book The Total FilmMaker is now being released by the Jerry Lewis Estate and Michael Wiese Productions with all-new, never-before-seen photos of Jerry on set and with his family and friends, and a new foreword by Leonard Maltin. 

The Total FilmMaker was originally written and based on over 480 hours of Jerry’s guest lecture series at USC Film School in 1966, where his then-students included aspiring young filmmakers Steven Spielberg and George Lucas. From script to postproduction, it covers the complete arc of filmmaking as taught by one of the first and most original writer/director/producer/actors in Hollywood.

 

Below: Michael Laskin and Gregg Barson discuss The Total Filmmaker and Jerry Lewis

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Meet The Author

Jerry Lewis

A consummate entertainer and world-renowned humanitarian, Jerry Lewis was not just a cultural icon in the U.S. and France, he was one of “The Most Recognized Personalities on the Planet,” named so by Newsweek magazine. He was also nominated for a Nobel Peace Prize.

One of the most successful performers in show business history—with worldwide box office receipts in excess of $800 million (when most tickets were sold for 25-50 cents)—Jerry received global acclaim for his groundbreaking comedy. He has been said to carry the torch lit by Charlie Chaplin and Buster Keaton, which has earned him the moniker “The King of Comedy.”

As the top box office star in the world from 1952-1956 with Dean Martin, and from 1957-1964 as a solo artist, Jerry’s brand of comedy has influenced generations. Celebrated for his groundbreaking physical comedy, “Jerry went back to the silent era and brought visual sight gags back to the American movie theaters,” said Steven Spielberg, who once attended a class in film direction taught by “Professor” Lewis at the University of Southern California.

As well as being an entertainer, “Jerry Lewis was a major innovator in motion pictures,” stated director, Francis Ford Coppola. “His invention of putting a video camera next to the motion picture camera so he could play it back and direct himself, has been used for decades by every director in the movie industry. I watched him on the set of The Ladies Man in 1961, and was amazed by his groundbreaking innovation, the Video Assist.”

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