This is why they’re called motion pictures!
On motion picture and television sets today the director spends 90% of his time directing the camera. Professional actors come to set prepared to direct themselves. In spite of this recent change, 90% of all books on directing do not teach specifically how to direct the camera.
Directing the Camera fills that void by teaching the elements of craft that contemporary directors use to give their films the visually dynamic look preferred by audiences today.
Psychology for Screenwriters: Building Conflict in Your Script (2nd Ed)
Do the Right Thing: Five Screenplays that Embrace Diversity
The Film Director’s Intuition: Script Analysis and Rehearsal Techniques
Shoot from the Heart: Successful Filmmaking from a Sundance Rebel 
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