Marcie Begleiter
In 1990 I was invited to teach a seminar at the American Film Institute on storyboarding. I created a weekend workshop based on my experiences of working with first-time directors. These men and women often came to directing through writing and were much less comfortable communicating about the visual aspects of the medium than they were about the narrative. I set out to make visual communication accessible to those filmmakers who felt they had no ‘talent’ for it.
From the beginning, the workshop achieved a popularity neither I nor AFI had anticipated. I added private workshops held each month at a local hotel and was eventually asked to join the film faculty at the Art Center College of Design in Pasadena. There I have been able to work with student filmmakers and develop a curriculum that encompasses many forms of pre-visualization for film including color theory, composition, storyboarding and narrative structure as it applies to constructing the frame.
The Coffee Break Screenwriter Breaks the Rules: A Guide for the Rebel Writer
You Talkin' to Me?: How to Write Great Dialogue
The Script-Selling Game: A Hollywood Insider’s Look at Getting your Script Sold and Produced (2nd Edition)
Editing for Directors: A Guide for Creative Collaboration
Directing Feature Films: The Creative Collaboration Between Directors, Writers, and Actors
The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style (3rd Ed)
Film and Video Budgets 6
From Word to Image: Storyboarding and the Filmmaking Process