This is why they’re called motion pictures!
On motion picture and television sets today the director spends 90% of his time directing the camera. Professional actors come to set prepared to direct themselves. In spite of this recent change, 90% of all books on directing do not teach specifically how to direct the camera.
Directing the Camera fills that void by teaching the elements of craft that contemporary directors use to give their films the visually dynamic look preferred by audiences today.
The Woman in the Story (2nd Edition)
Directing the Camera: How Professional Directors Use a Moving Camera to Energize Their Films
My Story Can Beat Up Your Story: Ten Ways to Toughen Up Your Screenplay from Opening Hook to Knockout Punch
Shoot Like Scorsese: The Visual Secrets of Shock, Elegance, and Extreme Character
I’ll Be In My Trailer: The Creative Wars Between Directors and Actors
Editing for Directors: A Guide for Creative Collaboration
Transitions: A Director’s Journey and Motivational Handbook
Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know
The Storyboard Artist: A Guide to Freelancing in Film, TV, and Advertising 
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