David Sonnenschein
David Sonnenschein's story can shed some light on how different experiences meld into a synergy toward sound design. He began studying clarinet at eight years old, performing in symphony orchestras and chamber groups, then took up the flute with the conscious choice to not read music, but to "jam," developing his ear's sensitivity and spontaneity.
As a neurobiology undergraduate at UC San Diego, his interests in physiology, psychology and dreams were united by research in a sleep laboratory. Fascinated by the mind-body interface, he published several studies relating brainwaves to mental states and biorhythms, and developed insight into the physiological and perceptual processes that serve as foundations for the creation of sound design.
Psychology for Screenwriters: Building Conflict in Your Script (2nd Ed)
The Writers’ Room Survival Guide: Don’t Screw Up The Lunch Order and Other Keys to a Happy Writers’ Room
Onward & Upward: Reflections of a Joyful Life
The Total FilmMaker
The Invisible Cut: How Editors Make Movie Magic
Shooting Better Movies: The Student Filmmakers' Guide
Making it Big in Shorts: Shorter, Faster, Cheaper; The Ultimate Filmmaker’s Guide to Short Films (3rd Edition)
Writing for the Cut: Shaping Your Script for Cinema
Visual Storytelling: How to Speak to the Audience Without Saying a Word
Costume Design 101 (2nd Edition)
The Short: Personal Writing Tools to Free the Imagination
The Comic Hero's Journey: Serious Story Structure for Fabulously Funny Films