Pitching is an art form that brings together content and communication channels. Regardless of What you’re pitching . . . Where, When and to Whom . . . the principles are universal. It’s How you pitch that matters ― and there are countless strategies that combine elements in different combinations. This book details all of them, their construction and applications, in a fun and interactive way that inspires readers to create memorable and saleable pitches in order to get their projects made.
Through a “Crazy” approach in writing the feature screenplay, the first half of the book guides the reader in how to create and develop: Story Idea, Characters, One Page Step Outline, and the solid script. In the second half, the book covers the professional business side of the ever-changing industry by taking the reader through the workflow of Hollywood and explores how to work creatively with international countries like China in producing movies that resonate with a global audience.
Editing is what makes a movie a movie. Consulting with master film editors including Walter Murch, Juliette Welfling, Eddie Hamilton, and Anne V. Coates (whose insights and wisdom anchor the book), author Greg Loftin engagingly, smartly details the storytelling nuances and tricks screenwriters can learn from their film-editor peers.
Cutting-room veterans have long maintained that visual juxtaposition fuels film storytelling. Over-lapped images spark fresh ideas in the minds of viewers, encouraging them to become active partners in your storytelling and discover your story for themselves.
In later chapters, Writing for the Cut shows how we can bring our stories closer to the screen by writing not only with text, but with images and sounds. The screenwriter is taken deep into the edit suite to learn the secrets of the sizzle reel.
The team of Diamond and Weissman have been writing movies and mentoring filmmakers for decades. In this practical guide, they take the aspiring writer by the hand and guide them through the logistics and tools of writing an attention-grabbing, audience-pleasing screenplay. Readers will learn the interests and needs of managers, agents, producers, executives, financiers, directors, and actors. Diamond and Weissman attribute their phenomenal success to a career-long focus on the motives and priorities of film sponsors and benefactors.
Whether it’s a theatrical release or a streaming movie, a major, big-budget tent pole or an intimate, character-driven indie drama, Diamond and Weissman apply their time-tested approach. This fresh way of thinking will resonate with writers, industry professionals, and cinephiles excited to peek under the hood at what makes their favourite films tick.
Bulletproof is the rare screenwriting instructional penned by authors with both massive credits and decades of business experience. It is poised to take its place as one of the must-reads of the genre.
Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.
The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.
Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then illustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.
Everything you need, from getting the script right, to the edit being tight, is laid out in an informal and easily digestible style. Making Your First Blockbuster covers not only all the major components but delves deep into the nuances that make the big blockbusters really deliver. The book uses examples from older and modern blockbuster movies, as well as the author’s own experiences on set to help demonstrate points clearly and make them easy to understand. Aimed at the professional filmmaker, this comprehensive new book also covers how you can shoot and utilize special and visual effects in your films as well as the techniques on how to shoot and edit action sequences safely, all whilst producing epic results on screen.
This is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.
Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader.
Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work.
Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film.
Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints.y.
A comic hero or heroine also goes on a journey, but for the comic hero, it’s often quite, quite different. The hero decides to go on the adventure; the comic hero often has no choice. The hero has a wise old man; the comic hero often meets an idiot who inadvertently says something that can teach him a thing or two. Steve Kaplan will show you the diverse paths that comedy takes in The Comic Hero’s Journey.
This is not a beginner’s book on screenplay writing, though a beginner could read it and learn. This is a writer’s consigliere. It’s a book of advice and reflection that will kick ass against just about any screenwriting problem. It’s a series of essays on film and television writing, a deep background on very specific craft issues ranging from punctuation to meaning in your screenplay. Chapters range from “The Antagonist as a Good Guy” to how to establish an emotional core in your script, to one on Katy Perry's use of story in her concerts (Yes, that Katy Perry) to “The Power of Story.” There’s even one called “What Film School Should I Go to?” You’ll want to carry it with you to the Starbucks and consult it like you would your best friend when you run into trouble. It will get you to think about your writing in new ways and to give you the tools to express those thoughts. It’s a writer’s secret weapon, and now you can have it, too.
This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration.
The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15 countries.
If you dream of making a movie but don’t know where to start or you’re afraid that your film will end up being yet another unseen indie, this is the book for you.
Based on the real-life experiences of Sundance award–winning screenwriter/director Diane Bell, SHOOT FROM THE HEART will guide you through the process of making an indie film successfully ― from writing a stand-out script to raising finance, from getting the most out of your shoot to planning a profitable release.
Broken down into sixteen essential steps, this book provides you with a clear, actionable, real-world plan for turning your filmmaking dream into your reality. The method in this book is available to anyone, anywhere. You don’t need a ton of money or industry connections, you just need to be willing to do the work of each step.
In this book, you’ll find ass-kicking inspiration and motivational tips for the long journey filmmaking is, as well as the practical knowledge and insider’s information you need to make it happen. SHOOT FROM THE HEART will empower you to trust your creative instincts and leave you with no excuses for not making the best film you can. This guide is the only one you need if you seriously want to stop talking about making movies and actually make a great one.
Visual Storytelling covers all major components of creating powerful images including lighting, camera functions, composition and storytelling. However, the main focus of the book is not just creating compelling visuals, but more importantly creating images that inform and move the audience. Images carry emotional weight and Visual Storytelling teaches readers how to harness these emotions to maximize the emotion of the story, while minimizing the amount of dialogue necessary.
What makes Visual Storytelling unique is that it not only covers the theoretical concepts of filmmaking but also the technical elements necessary to achieve the emotional outcome. This combination of theory and practice helps to create well informed and skilled filmmakers.
Working from a writer’s perspective, this book explores these Three Wells and helps you con-sciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.
Pilar Alessandra’s popular book, The Coffee Break Screenwriter, taught writers how to outline quickly, write efficiently, and rewrite creatively. It is the “go-to” book for getting one’s story on the page. But now that same writer may be doing a final pass on a project, working with a producer, or coming up with a new project only to be hit with . . . RULES! Should the writer respond to this random list of do’s and don’ts pertaining to structure, characters, dialogue, and formatting? Nope.
Who says you have to follow the screenwriting rules? In this book Pilar reviews the rules writers assume they should follow, discusses why they’re there in the first place, and then shows you ways to creatively break them!
Rules evaluated include those addressing:
storytelling devices like flashback and voiceover
character rules such as empathy and backstory
dialogue faux pas such as writing on the nose
structural issues such as nonlinear writing and act-break placement
formatting sticking points involving emotion and visuals
For every “rule” that’s discussed, Pilar covers:
1. Why the rule exists.
2. Why writers should break the rule.
3. How writers can break the rule.
4. How breaking the rule can break bad (so break with care).
Grab a camera! Make a difference! Whether you are an experienced filmmaker looking to expose social wrongs or someone who has never made a movie but wants to, this is the book for you.
Recognizing that film is the most powerful form of social and political activism, you will learn the keys to unlock the powers of Filmmaking for Change, from story ideas to production, film festivals through distribution.
Whether you are looking to produce documentary or narrative projects, this is the resource that will help you get your project made!
Suspense with a Camera brings the secrets of suspense out of the shadows. Written for screenwriters and directors by a leading expert on Hitchcock techniques, you’ll have fresh insights on crafting suspense. These ideas have never been published before and share revelations that go far beyond the cliché knives, corpses, and blondes that many associate with Hitchcock.
Every day, millions of teens upload and watch millions of videos on YouTube. Enter the age of digital filmmakers who don’t need a Hollywood studio or millions of dollars of equipment to make their stories come to life. While everyone many have access to the gear, the secrets and tricks that the pros use is where the real magic is found.
Make Some Noise shows the same techniques that The Sound Effects Bible author Ric Viers used to create the sound effects heard in HALO, Call of Duty, Lego Batman, Sons of Anarchy, Lost, and more! This book easily explains how sound works, recording techniques, editing basics, sound design tricks, and 100 sound effects to record at home.
A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author’s years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film students of all ages. Everything you need to know – from generating an idea to delivering a finished film – is laid out in an informal and easy to read style.
Find everything from script formatting, choosing lenses, and location scouting, to where best to put the camera to film your scenes, working with actors, recording sound, and editing your shots.
Today’s digital technology allows teens to produce short films with enviable accessibility. But there is a darker side to today’s technology, too: the expectation to live and share your life online, to become an instant success with your first creations. Imagine being free to experiment and play with the medi-um, with a mentor beside you helping you craft solid, professional work that never looks like a home movie. Industry pro Deborah Patz is that mentor.
Much like writers pen journals they don’t publish (aka “writing practice,” as taught by Natalie Gold-berg), Write! Shoot! Edit! mentors teens in “first filmmaking” ― crafting complete, scripted movies in a safe place free from public exhibition and scrutiny, experimenting with the medium, and discovering one’s own visual storytelling voice.
You want to direct and edit, but your friend wants to write? Not a problem. Don’t read the book in order! Just follow the path. Write! Shoot! Edit! is written in three distinct and intertwining paths, so you can experience the book as you want to: as a writer, director / DOP, or editor.
Start making scripted films today so that you can be the overnight success of tomorrow!
A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.