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    This is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.
    Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader.
    Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work.
    Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film.
    Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints.y.


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    A comic hero or heroine also goes on a journey, but for the comic hero, it’s often quite, quite different. The hero decides to go on the adventure; the comic hero often has no choice. The hero has a wise old man; the comic hero often meets an idiot who inadvertently says something that can teach him a thing or two. Steve Kaplan will show you the diverse paths that comedy takes in The Comic Hero’s Journey.


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    This is not a beginner’s book on screenplay writing, though a beginner could read it and learn. This is a writer’s consigliere. It’s a book of advice and reflection that will kick ass against just about any screenwriting problem. It’s a series of essays on film and television writing, a deep background on very specific craft issues ranging from punctuation to meaning in your screenplay. Chapters range from “The Antagonist as a Good Guy” to how to establish an emotional core in your script, to one on Katy Perry's use of story in her concerts (Yes, that Katy Perry) to “The Power of Story.” There’s even one called “What Film School Should I Go to?” You’ll want to carry it with you to the Starbucks and consult it like you would your best friend when you run into trouble. It will get you to think about your writing in new ways and to give you the tools to express those thoughts. It’s a writer’s secret weapon, and now you can have it, too.


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    This revised and updated edition is a complete resource for anyone who wants to write and produce for television drama series or create an original series, as well as for teachers in screenwriting classes and workshops. It leads the reader step-by-step through every stage of the development and writing process, offering practical industry information and artistic inspiration.
    The Fourth Edition leads readers into the future and engages provocative issues about the interface between traditional TV and emerging technologies. It’s also the single most comprehensive source on what is happening in original television drama around the world, with surveys of 15 countries.


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    If you dream of making a movie but don’t know where to start or you’re afraid that your film will end up being yet another unseen indie, this is the book for you.

    Based on the real-life experiences of Sundance award–winning screenwriter/director Diane Bell, SHOOT FROM THE HEART will guide you through the process of making an indie film successfully ― from writing a stand-out script to raising finance, from getting the most out of your shoot to planning a profitable release.

    Broken down into sixteen essential steps, this book provides you with a clear, actionable, real-world plan for turning your filmmaking dream into your reality. The method in this book is available to anyone, anywhere. You don’t need a ton of money or industry connections, you just need to be willing to do the work of each step.

    In this book, you’ll find ass-kicking inspiration and motivational tips for the long journey filmmaking is, as well as the practical knowledge and insider’s information you need to make it happen. SHOOT FROM THE HEART will empower you to trust your creative instincts and leave you with no excuses for not making the best film you can. This guide is the only one you need if you seriously want to stop talking about making movies and actually make a great one.


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    Visual Storytelling covers all major components of creating powerful images including lighting, camera functions, composition and storytelling. However, the main focus of the book is not just creating compelling visuals, but more importantly creating images that inform and move the audience. Images carry emotional weight and Visual Storytelling teaches readers how to harness these emotions to maximize the emotion of the story, while minimizing the amount of dialogue necessary.
    What makes Visual Storytelling unique is that it not only covers the theoretical concepts of filmmaking but also the technical elements necessary to achieve the emotional outcome. This combination of theory and practice helps to create well informed and skilled filmmakers.


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    Working from a writer’s perspective, this book explores these Three Wells and helps you con-sciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.