What are Elephant Bucks? Simply stated, Elephant Bucks is the really big money and the enormous satisfaction you can earn by writing successfully for a television sitcom.
This book is a comprehensive guide to writing that killer spec sitcom script and launching a career as a TV sitcom writer. Includes detailed inside information on how to choose the right series to spec, how to pick the right story and detailed, step-by-step instruction on how to write the scripts that will get you work. Also, how to use those scripts to get your big break in Hollywood.
Includes unique first-hand experience on how to handle TV pitch meetings, freelance writing assignments, staff work, agents, executives and stars.
Sheldon Bull has been earning Elephant Bucks as a professional television sitcom writer, producer, and director for thirty years. His career has included writing for MASH, developing, writing and producing the hit CBS sitcom Newhart starring Bob Newhart, writing and producing the ABC hit sitcom Coach and producing, writing and directing the ABC hit series Sabrina – The Teenage Witch. He has worked on the staffs of eleven different prime time network television situation comedies. He has personally written or rewritten over three hundred sitcom episodes.
Each chapter of ‘Screenwriting for Teens’ defines a concept, illustrates it with examples of current and/or classic films, and challenges its readers with creative writing, analytical, and discussion exercises. The material has application to coursework in English, media, theatre, journalism, and psychology.
A revised and expanded sequel to Stealing Fire from the Gods, this 2nd edition includes important new revelations concerning the ultimate source of unity, the structures of the whole story passage, the anti-hero’s journey, the high-concept great idea, the secrets of charismatic characters, and the analyses of many important new stories and successful films.
This book explains how the Moral Premise, a statement of truth about the protagonist’s psychological predicament, is a fundamental part of every successful movie’s structure. It is also a book about how you, the filmmaker, can appropriate the Moral Premise to create great motion pictures that resonate with large audiences.
You will learn:
The author, Stan Williams, is an internationally award-winning filmmaker, writer, and instructor. During the past 30 years, he has produced, written, directed, shot, or edited over 400 projects.
Dialog is one of the best known, and obvious, elements in a film. But the language of cinema is more subtle and sophisticated than dialog alone. From Metropolis to Kill Bill, this remarkable reference guide reveals 100 of the most potent storytelling tools of the medium, compelling cinematic devices beyond dialog for screenwriters and directors to pump up action, develop characters and energize a motion picture’s plot.
Here’s what you’ll learn:
17 basic building blocks of cinematic language
100 examples of cinematic techniques that create layering and more powerful scenes
100 definitions of cinematic tools
How to use sound, picture and camera motion as storytelling devices
How to show character change without using dialog
How filmmakers marry story and technique
All this and more illustrated by over 500 frame grabs and 76 script excerpts from the most memorable moments in film history.
The mastery of cinematic storytelling unites all successful film artists who share a fluency in the sight, sound and motion of movies. If you want to take your screenplay or your film appreciation to a higher level, this book will get you there.
He’s made millions of dollars selling screenplays. Now “one of Hollywood’s most successful spec screenwriters” tells all in this fast, funny and candid look inside the movie business. Save the Cat is just one of many iron-clad rules for making your ideas more marketable and your script more satisfying and saleable, including:
This ultimate insider’s guide reveals the secrets that none dare admit, told by a showbiz veteran who’s proven that you can sell your script if you can save the cat.
Building Conflict in Your Script.
“My writing partners are Freud, Jung and Campbell…who are you working with now?”
Hitchcock once said: “Drama is just human life with all the boring parts cut out.”
This book will help you tap into these great psychological resources to learn how to write and reflect real human drama.
William Indick, who lives in Brooklyn, NY, is a screenwriter, author and Assistant Professor of Psychology at Dowling College.
An analysis of over 50 US and foreign films in every cinematic genre, including drama, westerns, horror, action-adventure, romance, comedy, romantic comedy, suspense-thriller and fantasy-science fiction. It reveals why some films continue to touch and connect with audiences.