“What lurks in the shadows, just below waking consciousness?”
Subtext can be the most important element in text and in a performance. It’s an unseen force that speaks directly to the reader’s unconscious, deepening meaning and understanding. Great subtext reveals more than simple dialogue and action and is at the heart of the best books and films. It is what glues us to the screen.
This book goes far beyond dialogue, action, gestures, genre, and images. Written by one of the foremost script consultants in the world and the most prolific writer on screenwriting, this new edition adds new examples with chapters on analogy and love, and provides deeper explanations of how subtext works beneath the text. This edition has been expanded to be relevant to all fiction writers.
Being Professional teaches the ABCs of screenwriting from a practical perspective, rather than theoretical or academic. The author highlights the many traps, mistakes, and pitfalls that frequently plague writers of all experience levels and shows them the difference between simply completing a script as an amateur, and taking an idea and executing the best version of it as a professional piece, worthy of industry attention.
The writer receives guidance and tips at every stage of the often intimidating writing process with a relaxed, “ten minutes at a time” method that focuses the writer and pushes him or her forward. At each step, writers are encouraged to “Take Ten” and tackle an element of their script using the templates and tools provided. “What You’ve Accomplished” sections help writers review their progress. And “Ten-Minute Lectures” distill and demystify old school theory, allowing the writer to unblock and get writing.
Master of the Cinematic Universe is a guide to the future of trans-media storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up and coming short-form media formats.
Writers will understand why they’re stuck and how to get unstuck through proven methods of breaking the logjam of self-judging and second-guessing that keeps good screenplays from being finished. Attain confidence by knowing your story is clear and solid. Seal out negative influences such as “industry experts” and fleeting trends. This is a way to write a script with integrity that makes a screenplay “storyworthy.” This is how to write a screenplay that works.
The book’s journey into the future of television begins with “You Are Here,” delving into “The Great Convergence” of television and Internet and the vortex of change we all inhabit now. Then, glancing back, we explore “The Old World” of broadcast television to understand how we got to this moment of transition. Next, traveling “Between Worlds,” we visit cable television and see how the boundaries between network, cable, and Internet are mutating. After that, we enter “The New World” that ranges from empires like Netflix and Amazon down to Kickstarter-funded web series, and all the creative expressions that abound. Finally, we look ahead to the “Far Frontier” of interactivity and transmedia and a distant, fantastic future. All these experiences are focused on how a writer, producer, director, or entrepreneur can use the emerging possibilities to create original television now and in the coming decade.
Screen storytelling is an essentially collaborative process. Writers need feedback but too often the notes they receive stall them and even demoralize them. This book unpacks the whys and what-fors of all the most commonly given notes on scripts, stories, and writers themselves. Coming from the perspective of experienced Hollywood professionals, Notes to Screenwriters offers insightful and concise guidance on the entire storytelling process, as well as what comes before it in the life of the writer, and after it in the marketing of the screenplay. It is a unique blend of classical storytelling principles combined with practical knowledge of the contemporary marketplace. This book is destined to be a resource for every writer who gets past the initial stage of writing a first draft and needs sage counsel for what to do next.
There are many books that assist writers with their craft, structure, and formatting, all of which are important. However, there does not exist a guide for writers to understand the evolution of their genre. In order to effectively write within a transmedia environment — a marketplace that includes different groups of consumers with short attention spans across various platforms — today’s writer must master the history of their genre. By understanding where and how their genre has emerged they develop their own authentic texts and these fresh, genuine concepts will stand apart in a media landscape that is muddied with copycat material.
Getting It Write: An Insider s Guide to a Screenwriting Career is a comprehensive, no-holds-barred guide packed with practical advice to help hard-working writers prepare themselves and their work for the industry, identify available paths, and make the leap from aspirant to working professional. There are plenty of books about the craft of screenwriting, and a handful about pitching your screenplay. However, little can be found on how to go from writing to pitching in the professional space. There is no formula, no three-step plan. Getting It Write: An Insider s Guide to a Screenwriting Career unlocks pragmatic guidance for constructing a screenwriting career, delivered by a sought-after industry authority who works with writers both novice and professional. Never pulling any punches, the book aims to decode Hollywood, prepare the writer for the road ahead, and offer tangible avenues for screenwriting success.
Legendary screenwriting instructor and award-winning writer Paul Chitlik presents an easy-to-read, step-by-step process to take your script from first draft to
submission draft. He reveals the hidden structure of screenplays, sequences, and scenes, as he guides you through the process of examining your draft, restructuring it, and populating it with believable, complex, and compelling characters. Along the way he outlines how to make your action leap off the page and your dialogue crackle. While the first edition was widely used in film school rewriting classes, it was also recommended as an introduction to screenwriting craft by a number of professors and professionals. Paul Chitlik has included, for the second edition, more examples, exercises, and applications for television, the web, and other media, using a wide range of citations in film, television, and the Internet to underline his approach.
Shakespeare for Screenwriters is the first book to use Shakespeare s works to examine the fundamentals of screenwriting. The book offers insight into what makes Shakespeare s creations so powerful by analyzing the timeless themes in his greatest works and translating them into practical writing advice. Geared to all levels of interest and experience in both Shakespeare and screenwriting, each chapter focuses on specific lessons learned through reading Shakespeare. William Shakespeare wrote the most powerful dramas in the English language. Shakespeare for Screenwriters tells you how.
SHOW ME THE FUNNY!
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Crime stories have always intrigued viewers and storytellers. Today, crime shows rule the airwaves and there is truly a procedural drama out there for every personality and every writer. Born out of the author s real-life experiences growing up around death investigation, Forensic Speak unlocks the secrets of forensic science for writers and fans alike. With a filmography of 100 film and TV examples and 80 additional resources, the book provides writers direct access to hundred of ways to make their crime writing more authentic. Forensics finally explained in lay people s terms. Takes readers behind the crime tape, lab doors, and into the morgue, to learn how things are really handled. Great resource for fact-checking scripts and stories. Glossary of 300+ forensic terms. Designed as a workbook for artists to enhance crime writing. Exercises to get writers and producers thinking like investigators. 100+ professional resources, including the author s secret picks. Hundreds of tips on how to use forensic science authentically in your writing. 80+ TV and film examples that show how forensic science can be applied across all genres.
FOREWORD BY ROGER CORMAN
Learn the secrets behind Alien, Total Recall, and Return of the Living Dead! This masterful collection shares, for the first time, the wisdom of the late, great Dan O’Bannon and the storytelling techniques he used in his mega-hit motion pictures.
Dying is easy, comedy is hard. So keep your comedy blockbuster alive and well and buy this book. Comedy has always been the backbone of the film business. In an age of sequels and brand-name movies based on established properties, the original comedy screenplay still delivers high profits. Writing the Comedy Blockbuster guides the writer as they learn what goes into writing the next comedy classic.
Eric Edson has developed a new tool for bringing depth and passion to any screenplay. It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need.
Whether you’re a screenwriter wanting to create an original series, a film school student aware that real careers are on television staffs, or a writer trying to break in, here is the complete guide to the unique craft of writing drama series for television.
Learn how the industry works from the experts who work in it, told with candor and wit. The 3rd Edition builds on the book’s reputation by bringing the very latest information, insights, and advice from major writers and producers.
WRITING THE TV DRAMA SERIES has become the leading resource around the world for anyone who wants to create television drama, as well as for screenwriting classes and workshops. Offering practical industry information and artistic encouragement, the book is both nuts-and-bolts and inspiration. The new edition also leads readers into the future and engages provocative issues about the interface between traditional TV and the opportunities opening in emerging media.
Memo From the Story Department offers a battery of storygenerating engines and storyimproving tools, and reliable methods tested on hundreds of Hollywood productions. It goes far beyond the standard advice given in most screenwriting manuals. Drawn from sources as varied as vaudeville, classical Greek comedies, and Russian fairy tales, the book outlines a series of practical templates for creating believable characters and emotionally satisfying plots.