Pilar Alessandra’s popular book, The Coffee Break Screenwriter, taught writers how to outline quickly, write efficiently, and rewrite creatively. It is the “go-to” book for getting one’s story on the page. But now that same writer may be doing a final pass on a project, working with a producer, or coming up with a new project only to be hit with . . . RULES! Should the writer respond to this random list of do’s and don’ts pertaining to structure, characters, dialogue, and formatting? Nope.
Who says you have to follow the screenwriting rules? In this book Pilar reviews the rules writers assume they should follow, discusses why they’re there in the first place, and then shows you ways to creatively break them!
Rules evaluated include those addressing:
storytelling devices like flashback and voiceover
character rules such as empathy and backstory
dialogue faux pas such as writing on the nose
structural issues such as nonlinear writing and act-break placement
formatting sticking points involving emotion and visuals
For every “rule” that’s discussed, Pilar covers:
1. Why the rule exists.
2. Why writers should break the rule.
3. How writers can break the rule.
4. How breaking the rule can break bad (so break with care).
Grab a camera! Make a difference! Whether you are an experienced filmmaker looking to expose social wrongs or someone who has never made a movie but wants to, this is the book for you.
Recognizing that film is the most powerful form of social and political activism, you will learn the keys to unlock the powers of Filmmaking for Change, from story ideas to production, film festivals through distribution.
Whether you are looking to produce documentary or narrative projects, this is the resource that will help you get your project made!
Suspense with a Camera brings the secrets of suspense out of the shadows. Written for screenwriters and directors by a leading expert on Hitchcock techniques, you’ll have fresh insights on crafting suspense. These ideas have never been published before and share revelations that go far beyond the cliché knives, corpses, and blondes that many associate with Hitchcock.
Every day, millions of teens upload and watch millions of videos on YouTube. Enter the age of digital filmmakers who don’t need a Hollywood studio or millions of dollars of equipment to make their stories come to life. While everyone many have access to the gear, the secrets and tricks that the pros use is where the real magic is found.
Make Some Noise shows the same techniques that The Sound Effects Bible author Ric Viers used to create the sound effects heard in HALO, Call of Duty, Lego Batman, Sons of Anarchy, Lost, and more! This book easily explains how sound works, recording techniques, editing basics, sound design tricks, and 100 sound effects to record at home.
A one-stop film school, this book is packed with information, tips, techniques, and advice covering all aspects of filmmaking as gathered from the author’s years of experience working in short films, features, commercials, and music videos, as well as delivering workshops and lectures to film students of all ages. Everything you need to know – from generating an idea to delivering a finished film – is laid out in an informal and easy to read style.
Find everything from script formatting, choosing lenses, and location scouting, to where best to put the camera to film your scenes, working with actors, recording sound, and editing your shots.
Today’s digital technology allows teens to produce short films with enviable accessibility. But there is a darker side to today’s technology, too: the expectation to live and share your life online, to become an instant success with your first creations. Imagine being free to experiment and play with the medi-um, with a mentor beside you helping you craft solid, professional work that never looks like a home movie. Industry pro Deborah Patz is that mentor.
Much like writers pen journals they don’t publish (aka “writing practice,” as taught by Natalie Gold-berg), Write! Shoot! Edit! mentors teens in “first filmmaking” ― crafting complete, scripted movies in a safe place free from public exhibition and scrutiny, experimenting with the medium, and discovering one’s own visual storytelling voice.
You want to direct and edit, but your friend wants to write? Not a problem. Don’t read the book in order! Just follow the path. Write! Shoot! Edit! is written in three distinct and intertwining paths, so you can experience the book as you want to: as a writer, director / DOP, or editor.
Start making scripted films today so that you can be the overnight success of tomorrow!
A fun, insightful insider’s look at the nuts and bolts of writing action movies, from concept to completion, by a professional screenwriter and professor of screenwriting. Full of witty anecdotes from the front lines (and tricks of the trade from between the lines), Crash! Boom! Bang! promises an enjoyable and educational read for writers and students of all levels. Although bullets and bloodshed abound in cinema, the lessons within will benefit screenwriters of all kinds of movies.
Filmmaking can be a complicated and risky adventure, but Making the Magic Happen shows you why directing a movie is actually simpler than you think. The trick is to properly learn the “craft” of filmmak-ing first, and then adapt your logistical and creative skills to the “art” of filmmaking.
This is a comprehensive bible to low-budget film producing for emerging and professional producers. Structured to guide the reader through production meetings, every aspect of the film-production pro-cess is outlined in detail. Invaluable checklists ― which begin 12 weeks before shooting and continue through principal (and secondary) photography and postproduction ― keep the filmmaker on track and on target. Ryan is co-producer of James Marsh’s Man on Wire, winner of the 2009 Academy Award for Best Documentary
“What lurks in the shadows, just below waking consciousness?”
Subtext can be the most important element in text and in a performance. It’s an unseen force that speaks directly to the reader’s unconscious, deepening meaning and understanding. Great subtext reveals more than simple dialogue and action and is at the heart of the best books and films. It is what glues us to the screen.
This book goes far beyond dialogue, action, gestures, genre, and images. Written by one of the foremost script consultants in the world and the most prolific writer on screenwriting, this new edition adds new examples with chapters on analogy and love, and provides deeper explanations of how subtext works beneath the text. This edition has been expanded to be relevant to all fiction writers.
Unlike film guides that list films alphabetically, give production facts, and offer rather dry descriptions, this book is designed to help people better understand themselves, their loved ones, and their romantic situations… or lack thereof. Scientific studies show that couples who watch romantic movies together and then discuss them and their feelings about them have a much higher “stay-together rate” than couples who enter traditional therapy. This fun and colourful rom-com movie guide can help people find the perfect film to match their mood, put them in a different mood, bring up things hard to talk about, or generally improve their romantic well-being.
For over six years, The Woman in the Story has been the go-to resource for writers who want to be gender-mindful when they figure how to create female characters. Inspired by female psychology and gender issues, this how-to book casts a refreshingly honest and empowering women-centric light on every stage of the screenwriting process.
Green Screen Made Easy is designed to up your skill set and give you the necessary skills to take your indie work to a new level. See how to correctly create and set up your screen, illuminate the green screen cleanly, light your subjects dynamically, and manipulate your camera to get the best visual result. Master matte extraction techniques and learn how to composite your green screen footage onto a background, creating an out-of-this-world that your audience will believe!
Being Professional teaches the ABCs of screenwriting from a practical perspective, rather than theoretical or academic. The author highlights the many traps, mistakes, and pitfalls that frequently plague writers of all experience levels and shows them the difference between simply completing a script as an amateur, and taking an idea and executing the best version of it as a professional piece, worthy of industry attention.
This groundbreaking guide describes six seemingly different popular movies and genres (Skyfall, The Avengers, The Hangover, A Beautiful Mind, The Conjuring, Gone Girl) and shows screenwriters how they all follow the exact same 120 Universal Story Beats minute by minute. The book also reveals the top 10 archetypes they use, and where and why the Inciting Incident, Act 2 & 4 Quests, Midpoints, and the other five main Turning Points happen in all successful movies.
Crowdfunding for Filmmakers offers practical information, tips, and tactics for launching a successful film campaign by detailing traditional models of fundraising, utilizing today’s technological and social innovations, and augmenting each step with an added personal touch. THis 2nd edition updates the latest techniques on Social Media to get your projects up and running asap.
The writer receives guidance and tips at every stage of the often intimidating writing process with a relaxed, “ten minutes at a time” method that focuses the writer and pushes him or her forward. At each step, writers are encouraged to “Take Ten” and tackle an element of their script using the templates and tools provided. “What You’ve Accomplished” sections help writers review their progress. And “Ten-Minute Lectures” distill and demystify old school theory, allowing the writer to unblock and get writing.
Master of the Cinematic Universe is a guide to the future of trans-media storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up and coming short-form media formats.
The Director s Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It s based on the premise that a director is a storyteller 24/7 and must be aware of the truth that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the directorial senses in order to be able to tell a story in the most effective way.”