New Media (10)
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    If you dream of making a movie but don’t know where to start or you’re afraid that your film will end up being yet another unseen indie, this is the book for you.

    Based on the real-life experiences of Sundance award–winning screenwriter/director Diane Bell, SHOOT FROM THE HEART will guide you through the process of making an indie film successfully ― from writing a stand-out script to raising finance, from getting the most out of your shoot to planning a profitable release.

    Broken down into sixteen essential steps, this book provides you with a clear, actionable, real-world plan for turning your filmmaking dream into your reality. The method in this book is available to anyone, anywhere. You don’t need a ton of money or industry connections, you just need to be willing to do the work of each step.

    In this book, you’ll find ass-kicking inspiration and motivational tips for the long journey filmmaking is, as well as the practical knowledge and insider’s information you need to make it happen. SHOOT FROM THE HEART will empower you to trust your creative instincts and leave you with no excuses for not making the best film you can. This guide is the only one you need if you seriously want to stop talking about making movies and actually make a great one.


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    Visual Storytelling covers all major components of creating powerful images including lighting, camera functions, composition and storytelling. However, the main focus of the book is not just creating compelling visuals, but more importantly creating images that inform and move the audience. Images carry emotional weight and Visual Storytelling teaches readers how to harness these emotions to maximize the emotion of the story, while minimizing the amount of dialogue necessary.
    What makes Visual Storytelling unique is that it not only covers the theoretical concepts of filmmaking but also the technical elements necessary to achieve the emotional outcome. This combination of theory and practice helps to create well informed and skilled filmmakers.


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    Working from a writer’s perspective, this book explores these Three Wells and helps you con-sciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.


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    Pilar Alessandra’s popular book, The Coffee Break Screenwriter, taught writers how to outline quickly, write efficiently, and rewrite creatively. It is the “go-to” book for getting one’s story on the page. But now that same writer may be doing a final pass on a project, working with a producer, or coming up with a new project only to be hit with . . . RULES! Should the writer respond to this random list of do’s and don’ts pertaining to structure, characters, dialogue, and formatting? Nope.
    Who says you have to follow the screenwriting rules? In this book Pilar reviews the rules writers assume they should follow, discusses why they’re there in the first place, and then shows you ways to creatively break them!
    Rules evaluated include those addressing:
    storytelling devices like flashback and voiceover
    character rules such as empathy and backstory
    dialogue faux pas such as writing on the nose
    structural issues such as nonlinear writing and act-break placement
    formatting sticking points involving emotion and visuals
    For every “rule” that’s discussed, Pilar covers:
    1. Why the rule exists.
    2. Why writers should break the rule.
    3. How writers can break the rule.
    4. How breaking the rule can break bad (so break with care).


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    Grab a camera! Make a difference! Whether you are an experienced filmmaker looking to expose social wrongs or someone who has never made a movie but wants to, this is the book for you.
    Recognizing that film is the most powerful form of social and political activism, you will learn the keys to unlock the powers of Filmmaking for Change, from story ideas to production, film festivals through distribution.
    Whether you are looking to produce documentary or narrative projects, this is the resource that will help you get your project made!


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    Master of the Cinematic Universe is a guide to the future of trans-media storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up and coming short-form media formats.

     


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    Writing for the multibillion-dollar video-game industry is unlike writing for any other medium. Slay the Dragon will help you understand the challenges and offer creative solutions to writing for a medium where the audience not only demands a great story, but to be a driving force within it. Aimed at traditional writers who want to learn interactive narrative as well as game creators who want to tell better, more emotionally involving stories, the book is written by two creative veterans of both Hollywood and “Nerdyhood.” Through lively discussions and self-paced-exercises, Bryant and Giglio step you such topics as: the “no-act” structure of video games; writing great game characters; making gameplay emotionally meaningful; and bringing your game world alive.


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    The book’s journey into the future of television begins with “You Are Here,” delving into “The Great Convergence” of television and Internet and the vortex of change we all inhabit now. Then, glancing back, we explore “The Old World” of broadcast television to understand how we got to this moment of transition. Next, traveling “Between Worlds,” we visit cable television and see how the boundaries between network, cable, and Internet are mutating. After that, we enter “The New World” that ranges from empires like Netflix and Amazon down to Kickstarter-funded web series, and all the creative expressions that abound. Finally, we look ahead to the “Far Frontier” of interactivity and transmedia and a distant, fantastic future. All these experiences are focused on how a writer, producer, director, or entrepreneur can use the emerging possibilities to create original television now and in the coming decade.


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    A first of its kind, all-in-one guide to creating short-form TV series for the Internet. Written in a hip and entertaining style in the language of the cyber generation, this book guides the aspiring videomaker from an initial series idea through writing, production, and uploading and marketing a polished pilot and successive episodes of his or her own original Internet TV series.