New Media (10)
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    Working from a writer’s perspective, this book explores these Three Wells and helps you con-sciously draw from them to develop new scripts, or strengthen old ones. It includes 29 exercises and techniques that help you to write stories that contain fresh ideas, intriguing characters, original scenes, inventive dialogue, unique locations, and important themes.


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    Pilar Alessandra’s popular book, The Coffee Break Screenwriter, taught writers how to outline quickly, write efficiently, and rewrite creatively. It is the “go-to” book for getting one’s story on the page. But now that same writer may be doing a final pass on a project, working with a producer, or coming up with a new project only to be hit with . . . RULES! Should the writer respond to this random list of do’s and don’ts pertaining to structure, characters, dialogue, and formatting? Nope.
    Who says you have to follow the screenwriting rules? In this book Pilar reviews the rules writers assume they should follow, discusses why they’re there in the first place, and then shows you ways to creatively break them!
    Rules evaluated include those addressing:
    storytelling devices like flashback and voiceover
    character rules such as empathy and backstory
    dialogue faux pas such as writing on the nose
    structural issues such as nonlinear writing and act-break placement
    formatting sticking points involving emotion and visuals
    For every “rule” that’s discussed, Pilar covers:
    1. Why the rule exists.
    2. Why writers should break the rule.
    3. How writers can break the rule.
    4. How breaking the rule can break bad (so break with care).


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    Grab a camera! Make a difference! Whether you are an experienced filmmaker looking to expose social wrongs or someone who has never made a movie but wants to, this is the book for you.
    Recognizing that film is the most powerful form of social and political activism, you will learn the keys to unlock the powers of Filmmaking for Change, from story ideas to production, film festivals through distribution.
    Whether you are looking to produce documentary or narrative projects, this is the resource that will help you get your project made!


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    Master of the Cinematic Universe is a guide to the future of trans-media storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up and coming short-form media formats.

     


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    Writing for the multibillion-dollar video-game industry is unlike writing for any other medium. Slay the Dragon will help you understand the challenges and offer creative solutions to writing for a medium where the audience not only demands a great story, but to be a driving force within it. Aimed at traditional writers who want to learn interactive narrative as well as game creators who want to tell better, more emotionally involving stories, the book is written by two creative veterans of both Hollywood and “Nerdyhood.” Through lively discussions and self-paced-exercises, Bryant and Giglio step you such topics as: the “no-act” structure of video games; writing great game characters; making gameplay emotionally meaningful; and bringing your game world alive.


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    The book’s journey into the future of television begins with “You Are Here,” delving into “The Great Convergence” of television and Internet and the vortex of change we all inhabit now. Then, glancing back, we explore “The Old World” of broadcast television to understand how we got to this moment of transition. Next, traveling “Between Worlds,” we visit cable television and see how the boundaries between network, cable, and Internet are mutating. After that, we enter “The New World” that ranges from empires like Netflix and Amazon down to Kickstarter-funded web series, and all the creative expressions that abound. Finally, we look ahead to the “Far Frontier” of interactivity and transmedia and a distant, fantastic future. All these experiences are focused on how a writer, producer, director, or entrepreneur can use the emerging possibilities to create original television now and in the coming decade.


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    There are many books that assist writers with their craft, structure, and formatting, all of which are important. However, there does not exist a guide for writers to understand the evolution of their genre. In order to effectively write within a transmedia environment ­— a marketplace that includes different groups of consumers with short attention spans across various platforms — today’s writer must master the history of their genre. By understanding where and how their genre has emerged they develop their own authentic texts and these fresh, genuine concepts will stand apart in a media landscape that is muddied with copycat material.


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    A first of its kind, all-in-one guide to creating short-form TV series for the Internet. Written in a hip and entertaining style in the language of the cyber generation, this book guides the aspiring videomaker from an initial series idea through writing, production, and uploading and marketing a polished pilot and successive episodes of his or her own original Internet TV series.

     


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    Hollywood Game Plan is an in-depth, how-to guide for aspiring Hollywood hopefuls. It provides a concrete, step-by-step strategy to land a job in the entertainment industry.